POEMS
- THINGS YOU SHOULD KNOW /3
- THE INFINITE CONVERSATION
- THE ISLAND WITHIN
- MEASURING WINTER /z
- ORPHEUS CUT OUT AND SINGING
- THINGS YOU SHOULD KNOW
- LIGHT INTO TUESDAY
- YELLOW
- LOVE WAS AN AMPUTATION WITH TOO MANY PHANTOM LIMBS
- iterations of summer /24 [september]
- THE MUSIC OF LOSS
- MOURNING
- ANGEL OF POETRY
- ANGEL OF POETRY | onyx feathers
- /2 [from] iterations of summer [june]
- i•Phone *möbius strip* {hybrID.(b*oo*k)}: in*tro
- SWEEPING/SLEEPING AGAIN
- ITERATIONS OF SUMMER /4
- ITERATIONS OF SUMMER /6
- ITERATIONS OF SUMMER /8
- ITERATIONS OF SUMMER /10
- ITERATIONS OF SUMMER /15
- PAINTING THE DUST
- THE BLUE PAGE OF SEA
- THE HOURS
- ICE FISHING
- JANUARY RAIN
- HOUSE OF FORGETTING
- LAYERS
- AFFIRMATIONS [1] and [2]
- LONGING
- FLESHED
- THE SEESAW OF UNDERTOW
- NOTES TOWARD
- CHOICE[S]
- FROM THE GROUND
THE GLASS HOUSE OF FORGETTING (NOVEL)
- The Book of Forgetting (novel preface)
- The Opener of Letters, or Broken Tern (Gabriela)
- The Cellist Dreams in E Minor
- MANHOOD (ETHAN):
- “The Chasm of Infinitude” [The Glass House of Forgetting]
- from “The Sea of Hands” [The Glass House of Forgetting]
- From “Triangle” (Will, Jamie, and Sean)
- RUNNING (Ethan)
Monthly Archives: January 2017
ICE FISHING
The pike and largemouth bass lurk under the thickened, layered, patina-green ice—dark shadow-silhouettes until, we hope, they will latch onto our metallic lures, and show us their dead-pan eyes, their odd, flat faces—that look of shock and hunger for the … Continue reading
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JANUARY RAIN
There’s no fragrance to winter rain. Not like in the summer when it mixes with the smell of fresh-cut grass and the color green imbued with morning light. That inch-worm, chartreuse color of April when buds first begin to unfurl. When things … Continue reading
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HOUSE OF FORGETTING
Place the objects related to the beloved, the lost, the untrusted, the mistaken, the shouldn’t-have-taken-the-pills, shouldn’t have left again, given in, cut off the wings, mistrusted, re-trusted—in the House that should be as detailed as possible. The structure: a castle, … Continue reading
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LAYERS
There are too many layers to examine properly. One by one, thin skins rip one’s face and fingers down to delicate flesh flowers, reminding we can’t forget apertures. The stutter of thunder, the shutter of wind and shadow. I am … Continue reading
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AFFIRMATIONS [1] and [2]
AFFIRMATIONS [1] No one was left standing at the edge of the battle. The men, horizontal, wept in fox holes. The sky sings rain to green and clean us. I sent you many letters, 26 to be exact, A-Z. Why … Continue reading
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LONGING
Many nights I sit on the banks of the shore at high tide to listen to the waves as if they are train tracks echoing a return. I sit and wait for the empty indigo pages to be written upon again. When he will … Continue reading
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FLESHED
the winter House cage of bones aches to be fleshed back from its rusted sculpture left out in the snow & ice too many seasons without words touch or sun just the Artic winds ripping the core hollow at the … Continue reading
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THE SEESAW OF UNDERTOW
A. Have I once again miraculously turned the corner of belief, climbed out? And for how long this time before the trap-door snare descends to snap the neck back under the forest? So terrifying and cruel the way it just … Continue reading
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